Ethel Watts Mumford

Ethel Watts Mumford

Summary

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Woman in Gray (1906)

Bradford started and turned away. He did not know her, of that he was certain. And he had no desire to scrape a hotel acquaintance—and yet—she was a lady; that was evident. She must have mistaken him for someone else—Clint, perhaps, his twin brother; people were always making mistakes. He thrust his hands deep into his pockets with a nervous movement. It was a bore, that extraordinary resemblance: one never knew— Why on earth should he want to look at that creature again? And why was Roberts so late? But look he must.
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Woman in Gray (1906)

Let us sit here; we can watch the Zoo, without feeling as if we made a part of it. What has come over our old London, I wonder. Did you ever see such queer people?” Mrs. Carghate smoothed a straying lock at her temple, and settled deep into a chair; a strong personality enshrined in a vigorous, middle-aged body, that neither defied nor sought to disguise the finger of Time, but fused his work into harmony with her own dauntless spirit. She smiled divinely upon Venner.
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford The Woman in Gray (1906)

Its extreme modern note was lost in the intensity of its human passion. She turned suddenly, with a very slight gesture that, nevertheless, showed her evident despair. A moment later she was gone.
With a strange sensation of wonder and sympathy Venner roused himself, ordered a cab, and was driven rapidly through the bustle and hurry of supper hour, to the Carlton. He had no engagement, but hoped to meet a friend or two, and idle away an hour in pleasant gossip. Roberts's personality was still on his nerves, and he longed to erase it by some pleasanter contact. But fate seemed against him.
Source: Wikisource

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