Ezra Pound

Ezra Pound

../../../ (1926)

Summary

Portrait of Ezra Pound Ezra Pound ../../../ (1926)

I mean that we have here the chance, a mode, a music that no mere loudness can obliterate, but that serves us, as the primitive chanteys for rowing, for hauling on cables; ‘Blow the man down’ and such like; have served savages or simpler ages, for labours, ashore and afloat.
Source: Wikisource

Portrait of Ezra Pound Ezra Pound ../../../ (1926)

It means that, via Stravinsky and Antheil and possibly one other composer, we are brought to a closer conception of time, to a faster beat, to a closer realisation or, shall we say, ‘decomposition’ of the musical atom.
The mind, even the musician’s mind, is conditioned by contemporary things, our minimum, in a time when the old atom is ‘bombarded’ by electricity, when chemical atoms and elements are more strictly considered, is no longer the minimum of the sixteenth century pre-chemists.
Source: Wikisource

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