F. Anstey

F. Anstey

Shut Out (1894)

Summary

Portrait of F. Anstey F. Anstey,  Shut Out (1894)

“ IT is towards the end of an afternoon in December, and Wilfred Rolleston is walking along a crowded London street with his face turned westward. A few moments ago and he was scarcely conscious of where he was or where he meant to go; he was walking on mechanically in a heavy stupor, through which there stole a haunting sense of degradation and despair that tortured him dully. And suddenly, as if by magic, this has vanished; he seems to himself to have waked from a miserable day dream to the buoyant consciousness of youth and hope. ”
Source: Wikisource

Portrait of F. Anstey F. Anstey,  Shut Out (1894)

“ Ethel is a dear girl, and never seems to think him good-for-nothing, as most people do. Perhaps it is sham, though—no, he can't think that when he remembers how patiently and kindly she has borne with his senseless fits of temper and tried to laugh away his gloom.
Not every girl as pretty as Ethel is would care to notice him, and persist in it in spite of everything; yet he has sulked with her of late. Was it because she had favored Lionel?
”
Source: Wikisource

Portrait of F. Anstey F. Anstey,  Shut Out (1894)

“ At first the shock, the awful loneliness he awakes to, and the shame of being found thus by the woman for whom he had felt the only pure love he had known, overwhelm him utterly, and he leans his head upon his arms as he clutches the railings, and sobs with a grief that is terrible in its utter abandonment.
The very policeman is silent and awed by what he feels to be a scene from the human tragedy, though he may not be able to describe it to himself by any more suitable phrase than "a rum start."
”
Source: Wikisource

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