F. Anstey,
Shut Out
(1894)
“ IT is towards the end of an afternoon in December, and Wilfred Rolleston is walking along a crowded London street with his face turned westward. A few moments ago and he was scarcely conscious of where he was or where he meant to go; he was walking on mechanically in a heavy stupor, through which there stole a haunting sense of degradation and despair that tortured him dully. And suddenly, as if by magic, this has vanished; he seems to himself to have waked from a miserable day dream to the buoyant consciousness of youth and hope. ”
