Summary

Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter XIII: The Lassan (1932)

Sherman glanced over his shoulder to see the ape-man moving aside from the door and bent back to his work. Evidently something important was imminent, judging from the actions of the sentry and the energetic attention the ex-dancer was giving to her machine. He was not deceived. Down the passage came something moving; something flesh-like and smooth, of a pale, grey-blue, dead-fish color, like a dangling serpent, then a round bulging head and finally the full form of an elephant!
Source: Wikisource

Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter XIII: The Lassan (1932)

Intelligent elephants that controlled forces beyond the powers of men; who could place a helmet on your head and read your thoughts; who could repair the new mechanized human form after it had apparently suffered irreparable damage, and who treated men and women as lower animals. Their arrival must have been that of the comet.
Herbert Sherman had read deeply enough, though not widely. He remembered some Englishman—Colvin—Kevin—Kelvin, that was it!—who had a theory that life had drifted to the earth from somewhere out in the void of space and time.
Source: Wikisource

Portrait of Fletcher Pratt Fletcher Pratt The Onslaught from Rigel — Chapter XIII: The Lassan (1932)

Then it advanced a step or two into the room, and placing its trunk close to Sherman's body, began to run over it, sniffing, a few inches away. He felt that he wanted to shriek, to turn and strike the thing, or to run, but a warning glance from the dancer kept him motionless.
Apparently satisfied with the result of its examination the elephant turned to go, stopping as it did so to unhook some projection on the ape-man's helmet and apply it to its ear. After listening for a moment, it put the end of the trunk to this projection, snorted into it, and went away with soundless steps.
Source: Wikisource

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