Summary

Portrait of Flora Annie Webster Steel Flora Annie Webster Steel On the Face of the Waters: A Tale of the Mutiny

It was almost a laugh, that hateful, inconsequent laugh; but, as if to soften its effect, a little jeweled hand hovered out as if it sought a resting-place on Kate's arm.
"You can't, my dear. It is so funny that you can't see that, when I, who know nothing about--about all that--can see it quite plainly. You are the sort of woman, Mrs. Erlton, who falls in love--who must fall in love--who--don't be angry!--likes being in love, and is unhappy if she isn't. Now I don't care a rap for people to be thinking, and thinking, and thinking of me, nothing but me! I like them to be pleasant and pleased.
Source: Gutenberg

Portrait of Flora Annie Webster Steel Flora Annie Webster Steel On the Face of the Waters: A Tale of the Mutiny

Kate knelt down beside it and kissed the dead hand.
"That was what you meant, wasn't it, Herbert?" she whispered. "I wish you had told it me yourself, dear."
She wished it often. Thinking over it all in the long days that followed, it came to be almost her only regret. If he had told her, if he had heard her say how glad she was, she felt that she would have asked no more. And so, as she went down every evening to lay the white rosebuds the gardener brought her on his grave she used to repeat, as if he could hear them, his own words: "It is the finish that is the win or the lose of a race."
Source: Gutenberg

Portrait of Flora Annie Webster Steel Flora Annie Webster Steel On the Face of the Waters: A Tale of the Mutiny

Yet, monotonous as ever, there was the evening cry of the muezzin and the persistent thrumming of toms-toms and saringis which evening brings to a native city. It rose louder than usual from a roof hard by, where, so Tara told her, a princess of the blood royal lived; a great friend of Abool-Bukr's. The remembrance of little Sonny's hands all red with blood, and the cruel face smiling over an apology, made her shiver, and wonder as she often did with a desperate craving what the child's fate had been. Why had she let the old ayah take him? Why was he not here, safe; making life bearable?
Source: Gutenberg

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