Summary

Four Hundred Humorous Illustrations…

The leading member of the new school was George Cruikshank. He lived and worked during two generations, and may be considered as the connecting link between the old school and the new. At first Cruikshank to some extent followed Gilray and Rowlandson, but gradually fell off from their style of art, and in its stead produced work of a more serious and more artistic nature, which was the beginning of a new era in the history of caricature. His illustrations to innumerable works are of the highest order, and have made for him an everlasting reputation.
Source: Gutenberg

Four Hundred Humorous Illustrations…

He attended two of the lectures and then stopped going, as his father held that if he was destined to be an artist he would become one without instruction, so that he never became a real student of that institution, nor had he a regular training in any way, so that his education, both so far as art and ordinary schooling was concerned, was very irregular and deficient. In fact, as a lad and young man he appeared to have been too full of animal spirits and too fond of sight-seeing to settle down to a hard course of study.
Source: Gutenberg

Four Hundred Humorous Illustrations…

His father's early death threw the lad on his own resources, and he quickly found that he must fight for a place in the world, as Fuseli told him he would have to do for a seat in the Academy. Anything that offered was acceptable—headings for songs and halfpenny ballads, illustrations for chap books, designs for nursery tales, sheets of prints for children—a dozen on the sheet and a penny the lot—vignettes for lottery tickets, rude cuts for broadsides, political squibs—all trivial records but now of the utmost rarity and value.
Source: Gutenberg

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