Etching

Definition and stakes

Portrait of Gleeson White Gleeson White,  English Illustration 'The Sixties'…

“ It is quite possible that the revival of etching as a fine art, which took place early in the second half of this century, had no little direct influence on the illustration of the period. Many artists, who are foremost as draughtsmen upon wood, experimented with the etcher's needle. The Germ, 1850, was illustrated by etchings; but, with every desire to develop this suggestion, it would be folly to regard the much discussed periodical as the true ancestor of Once a Week and the rest; even the etching which Millais prepared for it, but never issued, would not suffice to establish such claim. ”
Source: Gutenberg

Portrait of Sir Frederick Wedmore Sir Frederick Wedmore,  Etching in England (1895)

“ There is accent about the etching; emphasis, vitality; an atmosphere plays, as it were, amongst the boughs; the tree is not the tree only, but a part of Nature and the day.
Gœthe said to that disciple to whom he most fully unveiled himself,—to the privileged Eckermann,—“All my poems are ‘occasional’ poems.” In that resided their freshness, and Gœthe knew it well. “All my etchings are ‘occasional’ etchings,” could be said by nearly every fine etcher, too wise to set forth upon the picturesque tour with the deliberate resolution to perpetrate particular prints.
”
Source: Gutenberg

Maxime Lalanne,  A Treatise on Etching

“ And would Mouilleron have been inferior, if from the stone he had passed to the copper plate? It would be an easy matter to multiply examples chosen from among the artists who have boldly handled the needle, or from among those who might have taken it up with equal advantage, to prove that etching is not, as it has been called, a secondary method. There are no secondary methods for the manifestation of genius.
11. Versatility of Etching.—The needle is the crayon; the acid adds color.
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Source: Gutenberg

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