Sabine Baring-Gould

Sabine Baring-Gould

Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould A Book of Dartmoor (1900)

The furze—only out of bloom when Love is out of tune—keeps away from the standing water. It is the furze which is the glory of the moor, with its dazzling gold and its honey breath, fighting for existence against the farmer who fires it every year, and envelops Dartmoor in a cloud of smoke from March to June. Why should he do this instead of employing the young shoots as fodder?
I think that as Scotland has the thistle, Ireland the shamrock, and Wales the leek as their emblems, we Western men of Devon and Cornwall should adopt the furze.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould A Book of Dartmoor (1900)

It is marvellous to see how the lichen attaches itself to the granite. A harshly glaring piece that the quarrymen have cut is touched with fine specks that spread into black and crocus-yellow circles, and tone down the stone to a sober tint. Unhappily of late years there has been much firing of the furze and heather on the moor, and the flames destroy the beautiful lichens and mosses, and leave the old stones white and ghostly, not to be reclothed with the old tints for centuries.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould A Book of Dartmoor (1900)

Down below we are oppressed with the fall of the leaf, affecting us, if inclined to asthma and bronchitis; and in the short, dull days of December and January our spirits wax dark amidst naked trees and when our ankles are deep in mud. There are no trees on Dartmoor to expose their naked limbs, and tell us that, vegetation is dead. The shoulders of down are draped in brown sealskin mantles—the ling and heather, as lovely in its sleep as in its waking state; the mosses, touched by frost, turn to rainbow hues. For colour effects give me Dartmoor in winter.
And then the peat fires!
Source: Wikisource

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