Stippling

Definition and stakes

F. Maire,  Graining and Marbling

“ The operator doing the stippling must hurry his work with the flogger or stippler (see Fig. 1) before the color commences to dry, or the stippling will not be uniform. He at no time must let the brush rest upon the work, but must hit the surface and let it rebound back, and be ready to strike again, being careful that the stippling proceeds evenly, and that the porousness indicated be as near equal all over as possible. ”
Source: Gutenberg

F. Maire,  Graining and Marbling

“ The graining may be done with or without stippling, but if the stippling is well done it will improve it. The veining is done with the camel’s hair brush, and the blending should follow it up quickly so as to divide up the veining before it has had time to set. This will enable the washing up of the stippling by the pressure of the blender, and will leave a paler base for the veining, which by the stronger contrast will appear more natural. ”
Source: Gutenberg

F. Maire,  Graining and Marbling

“ The openness of the wood represented by the pores is easily reproduced by the stippling it should receive before the heart growth is either wiped out in oil graining or pencilled on in distemper. Some grainers dispense with it in oil work, but the finished work suffers from it. The stippling color is best made from some good Vandyke brown, and it may also be made from burnt umber in distemper. ”
Source: Gutenberg

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