Francis Hopkinson Smith

Francis Hopkinson Smith

Summary

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  In Dickens's London — Chapter 15 (1914)

“ The door leading to the left the verger was good enough to keep open for me. This, with the black, dingy, time-stained benches which had been moved close together that morning and which he would have removed but for my protest, gave me two massive shadows with which to accentuate my strong foreground light, centred by Mr. Dickens's grave.
On the opening up of my easel the mob of sightseers thickened. It was evident that a live painter was infinitely more interesting than a dead poet.
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Source: Wikisource

Portrait of Francis Hopkinson Smith Francis Hopkinson Smith,  In Dickens's London — Chapter 15 (1914)

“ Another hour, my coal working like mad, and the space was cleared, with only the verger left and a young German officer who strutted about on his thin legs like a crane, avoiding the holiest spots. Soon they both disappeared, and I was left alone.
And with their absence the spell of the marvellous interior fell upon me. The kind of awe which appealed to Washington Irving when the magnitude of the building broke fully upon his mind.
"The eye gazes with wonder," he writes, "at clustered columns of gigantic dimensions, with arches springing from them to such an amazing height.
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Source: Wikisource

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