Francis Hopkinson Smith,
In Dickens's London — Chapter 15
(1914)
“ The door leading to the left the verger was good enough to keep open for me. This, with the black, dingy, time-stained benches which had been moved close together that morning and which he would have removed but for my protest, gave me two massive shadows with which to accentuate my strong foreground light, centred by Mr. Dickens's grave. On the opening up of my easel the mob of sightseers thickened. It was evident that a live painter was infinitely more interesting than a dead poet. ”
