Frank Norris

Frank Norris

Summary

Portrait of Frank Norris Frank Norris,  McTeague — Chapter 16 (1899)

“ They critically compared each other's bruises, each one glad when she could exhibit the worst. They exaggerated, they invented details, and, as if proud of their beatings, as if glorying in their husbands' mishandling, lied to each other, magnifying their own maltreatment. They had long and excited arguments as to which were the most effective means of punishment, the rope's ends and cart whips such as Zerkow used, or the fists and backs of hair-brushes affected by McTeague. Maria contended that the lash of the whip hurt the most; Trina, that the butt did the most injury. ”
Source: Wikisource

Portrait of Frank Norris Frank Norris,  McTeague — Chapter 16 (1899)

“ There was the same familiar aspect of Polk Street. She could see it at the end of the alley. The big market opposite the flat, the delivery carts rattling up and down, the great ladies from the avenue at their morning shopping, the cable cars trundling past, loaded with passengers. She saw a little boy in a flat leather cap whistling and calling for an unseen dog, slapping his small knee from time to time. Two men came out of Frenna's saloon, laughing heartily. Heise the harness-maker stood in the vestibule of his shop, a bundle of whittlings in his apron of greasy ticking. ”
Source: Wikisource

Portrait of Frank Norris Frank Norris,  McTeague — Chapter 16 (1899)

“ McTeague disliked Trina. She was a perpetual irritation to him. She annoyed him because she was so small, so prettily made, so invariably correct and precise. Her avarice incessantly harassed him. Her industry was a constant reproach to him. She seemed to flaunt her work defiantly in his face. It was the red flag in the eyes of the bull. One time when he had just come back from Frenna's and had been sitting in the chair near her, silently watching her at her work, he exclaimed all of a sudden:
"Stop working. Stop it, I tell you. Put 'em away.
”
Source: Wikisource

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