Summary

Frank Sidgwick Ballads of Robin Hood and other Outlaws

Going forth ‘upon a mery day,’ Little John shoots with such skill that he attracts the attention of the Sheriff of Nottingham (who is here and elsewhere the type of Robin Hood’s enemies) , and enters his service for a year under the name of Reynold Greenleaf. While the sheriff is hunting, Little John fights his servants, robs his treasure-house, and escapes back to Robin Hood with ‘three hundred pound and more.’ He then bethinks him of a shrewd wile, and inveigles the sheriff to leave his hunting in order to see a right fair hart and seven score of deer, which turn out to be Robin and his men.
Source: Gutenberg

Frank Sidgwick Ballads of Robin Hood and other Outlaws

The times in which he lived, the mode of life he adopted, and the silence or loss of contemporary writers, are circumstances sufficiently favourable, indeed, to romance, but altogether inimical to historical truth.’ In these words Joseph Ritson, the first and most painstaking of those well-meaning scholars who have tried to associate the outlaw with ‘historical truth,’ begins his ‘Life of Robin Hood,’ an account which occupies ten pages of his book, and is annotated and illustrated through the following one hundred and five pages.
Source: Gutenberg

Frank Sidgwick Ballads of Robin Hood and other Outlaws

The Story might be called a counterpart to Robin Hood and Guy of Gisborne, inasmuch as it has Little John for its hero, and relates how he set his master free, although Robin had lost his temper with him in the morning. A most unfortunate hiatus after 30.2 prevents us from learning how Robin’s fate was reported to his men; but as it stands it is a perfect ballad, straightforward, lively, and picturesque. The first five stanzas, which make a delightful little lyric in themselves, breathe the whole spirit of the greenwood.
Source: Gutenberg

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