Summary

Portrait of François Rabelais François Rabelais Pantagruel — ~ How Panurge put to a nonplus the Englishman that argued by signs (1532)

In effect, Thaumast then began to sweat great drops, and seemed to all the spectators a man strangely ravished in high contemplation. Then he bethought himself, and put all the nails of his left hand against those of his right, opening his fingers as if they had been semicircles, and with this sign lift up his hands as high as he could. Whereupon Panurge presently put the thumb of his right hand under his jaws, and the little finger thereof in the mouth of the left hand, and in this posture made his teeth to sound very melodiously, the upper against the lower.
Source: Wikisource

Portrait of François Rabelais François Rabelais Pantagruel — ~ How Panurge put to a nonplus the Englishman that argued by signs (1532)

How Panurge put to a nonplus the Englishman that argued by signs Everybody then taking heed, and hearkening with great silence, the Englishman lift up on high into the air his two hands severally, clunching in all the tops of his fingers together, after the manner which, a la Chinonnese, they call the hen's arse, and struck the one hand on the other by the nails four several times.
Source: Wikisource

Portrait of François Rabelais François Rabelais Pantagruel — ~ How Panurge put to a nonplus the Englishman that argued by signs (1532)

The divines, physicians, and chirurgeons that were there thought that by this sign he would have inferred that the Englishman was a leper. The counsellors, lawyers, and decretalists conceived that by doing this he would have concluded some kind of mortal felicity to consist in leprosy, as the Lord maintained heretofore.
Source: Wikisource

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