Frederick William Hackwood

Frederick William Hackwood

Summary

Portrait of Frederick William Hackwood Frederick William Hackwood The Annals of Willenhall

As in many other industrial crafts the religious enthusiasm of the Middle Ages impelled the artist-mechanic to throw his whole soul into the manipulation and adornment of his keys, key-hole escutcheons, and other parts of door-fastening furniture. With his steel pencil and gravers, his chisels and his drills, the craftsman of olden times produced an article of utility which was at the same time a work of art. Will the Art Classes of modern Willenhall be able to achieve as much for the staple industry of the town as did the whole-souled enthusiasm of the Middle Ages?
Source: Gutenberg

Portrait of Frederick William Hackwood Frederick William Hackwood The Annals of Willenhall

No church there has yet raised its spire; and, as if the jealous spirit of Woden still haunted his ancient temple, even the conventicle scarcely dare show his humble front in some obscure corner. There is no municipality, no magistrate; there are no local acts, no vestries, no schools of any kind. The streets are never cleaned; every man lights his own house; nor does any one know anything except his business.
More than this, at Wodgate, a factory or large establishment of any kind is unknown. Here Labour reigns supreme.
Source: Gutenberg

Portrait of Frederick William Hackwood Frederick William Hackwood The Annals of Willenhall

Before the rise of factories into which workmen might be collected, and their labour more healthily regulated, Willenhall lock-making was always conducted in small domiciliary workshops. Had any one at the close of the eighteenth century peeped in at the grimy little windows of one of these low-roofed workshops, and made himself acquainted with the extreme dirtiness of the calling, he would scarcely have ventured to regard it as one befitting the dainty hands of the highest personage of the most fastidious of nations.
Source: Gutenberg

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