Fritz Leiber

Fritz Leiber

Summary

Portrait of Fritz Leiber Fritz Leiber A Hitch in Space

My side of Trompled Love was bent back maybe twenty degrees. The eye of the beam shone at me from the tail like a pale blue moon. For quite a while it brightened and dimmed as I tick-tock swung.
Meanwhile I was beating my skull for not having thought earlier of the obvious slow-but-safe way of doing it, instead of that lunatic suit-jetting. I once heard a psychologist say we’re mental slaves to power-machinery and I guess he had something.
Clearly all I had to do was climb hand-over-hand up the line to the ship. At moon gravity that would be easy.
Source: Gutenberg

Portrait of Fritz Leiber Fritz Leiber A Hitch in Space

I don’t know what it was there for—maybe to measure the effects of space on a Moebius strip—but it looked like a wedding ring that had been stepped on. So Jeff and I called it Trompled Love.
But in spite of the junk, the ship looked mighty sweet against the saffron steppes and baby-blue seas of Shaula-by with Shaula herself, old Lambda Scorpii, flaming warm and wildly beyond, and with “United States” standing out big as life on the ship’s living quarters. United States of Shaula, of course.
Source: Gutenberg

Portrait of Fritz Leiber Fritz Leiber A Hitch in Space

Well, the last jerk came and the line didn’t part and Trompled Love didn’t crumple much, though the Shaula-light showed me several very nasty-looking wrinkles in it. And there I was trailing along after the ship, though out to one side, and feeling about as much strain on the line as if I were hanging from a cliff on the moon, and knowing I was going about five feet a second faster every second.
My idea wanting to be out to the side (and bless my impulses for realizing it was the one important thing!) was to keep my line and myself out of the beam. An ionic jet doesn’t look hot from the side.
Source: Gutenberg

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