Fyodor Dostoevsky

“ I get bored all by myself; I have told you so over and over again, and you get on my nerves more than ever by waving your hands and creeping in and out in the mysterious way you do."
It was a fact that Lebedeff, though he was so anxious to keep everyone else from disturbing the patient, was continually in and out of the prince's room himself. He invariably began by opening the door a crack and peering in to see if the prince was there, or if he had escaped; then he would creep softly up to the arm-chair, sometimes making Muishkin jump by his sudden appearance. ”

“ The poor general had merely made the remark about having carried Aglaya in his arms because he always did so begin a conversation with young people. But it happened that this time he had really hit upon the truth, though he had himself entirely forgotten the fact. But when Adelaida and Aglaya recalled the episode of the pigeon, his mind became filled with memories, and it is impossible to describe how this poor old man, usually half drunk, was moved by the recollection. ”

“ I used not to understand him, and laughed at him, but now I love the 'poor knight,' and respect his actions."
So ended Aglaya; and, to look at her, it was difficult, indeed, to judge whether she was joking or in earnest.
"Pooh! he was a fool, and his actions were the actions of a fool," said Mrs. Epanchin; "and as for you, young woman, you ought to know better. At all events, you are not to talk like that again. What poem is it? Recite it! I want to hear this poem! I have hated poetry all my life. Prince, you must excuse this nonsense. We neither of us like this sort of thing! Be patient!" ”

“ On the third day there was no talk of him at all, until Aglaya remarked at dinner: "Mamma is cross because the prince hasn't turned up," to which the general replied that it was not his fault.
Mrs. Epanchin misunderstood the observation, and rising from her place she left the room in majestic wrath. In the evening, however, Colia came with the story of the prince's adventures, so far as he knew them. Mrs. Epanchin was triumphant; although Colia had to listen to a long lecture. "He idles about here the whole day long, one can't get rid of him; and then when he is wanted he does not come. ”

“ This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason) , and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath.
"He's always twisting round what one says," she cried. ”

“ He had taken the chair next to the girl, and was impatient to begin talking. "No doubt there are pleasures and amusements peculiar to the country," he continued, "and to listen to a pretended student holding forth on the book of the Revelations may be as good as any other. It may even be original. But ... you seem to be looking at me with some surprise—may I introduce myself—General Ivolgin—I carried you in my arms as a baby—"
"Delighted, I'm sure," said Aglaya; "I am acquainted with Varvara Ardalionovna and Nina Alexandrovna." She was trying hard to restrain herself from laughing. ”

“ That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. A device—A. N. B.—the meaning of which is not explained, was inscribed on his shield—"
"No, A. N. D.," corrected Colia.
"I say A. N. B., and so it shall be!" cried Aglaya, irritably. "Anyway, the 'poor knight' did not care what his lady was, or what she did. ”

“ Epanchin, with some show of annoyance.
"But it's not I alone," cried Colia. "They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld 'the poor knight'; so evidently there does exist a 'poor knight'; and if it were not for Adelaida Ivanovna, we should have known long ago who the 'poor knight' was."
"Why, how am I to blame?" asked Adelaida, smiling.
"You wouldn't draw his portrait for us, that's why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself ”

“ A row of orange and lemon trees and jasmines, planted in green tubs, stood on the fairly wide terrace. According to Lebedeff, these trees gave the house a most delightful aspect. Some were there when he bought it, and he was so charmed with the effect that he promptly added to their number. When the tubs containing these plants arrived at the villa and were set in their places, Lebedeff kept running into the street to enjoy the view of the house, and every time he did so the rent to be demanded from the future tenant went up with a bound. ”

“ He seemed as if he could not do without the general. But it was not only Ardalion Alexandrovitch whom Lebedeff kept out of the prince's way. Since they had come to the villa, he treated his own family the same. Upon the pretext that his tenant needed quiet, he kept him almost in isolation, and Muishkin protested in vain against this excess of zeal. Lebedeff stamped his feet at his daughters and drove them away if they attempted to join the prince on the terrace; not even Vera was excepted.
"They will lose all respect if they are allowed to be so free and easy ”