Fyodor Dostoevsky

Fyodor Dostoevsky

The Idiot — Part II/Chapter XI (1913<!--year of translation-->)

Summary

Portrait of Fyodor Dostoevsky Fyodor Dostoevsky The Idiot — Part II/Chapter XI (1913<!--year of translation-->)

I assure you this is the truth, prince! I would not tell any other man for the world! He would laugh and jeer at me—but you, you judge a man humanely."
"Why, Keller said the same thing to me nearly word for word a few minutes ago!" cried Muishkin. "And you both seem inclined to boast about it! You astonish me, but I think he is more sincere than you, for you make a regular trade of it. Oh, don't put on that pathetic expression, and don't put your hand on your heart! Have you anything to say to me? You have not come for nothing..."
Lebedeff grinned and wriggled.
Source: Wikisource

Portrait of Fyodor Dostoevsky Fyodor Dostoevsky The Idiot — Part II/Chapter XI (1913<!--year of translation-->)

I'm sorry for Varia, and for Gania too; he isn't half a bad fellow, in spite of his faults, and I shall never forgive myself for not liking him before! I don't know whether I ought to continue to go to the Epanchins' now," concluded Colia—" I like to be quite independent of others, and of other people's quarrels if I can; but I must think over it."
"I don't think you need break your heart over Gania," said the prince; "for if what you say is true, he must be considered dangerous in the Epanchin household, and if so, certain hopes of his must have been encouraged."
Source: Wikisource

Portrait of Fyodor Dostoevsky Fyodor Dostoevsky The Idiot — Part II/Chapter XI (1913<!--year of translation-->)

Because you see through a man somehow. Words and actions, truth and falsehood, are all jumbled up together in me, and yet I am perfectly sincere. I feel the deepest repentance, believe it or not, as you choose; but words and lies come out in the infernal craving to get the better of other people. It is always there—the notion of cheating people, and of using my repentant tears to my own advantage!
Source: Wikisource

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