G. B. Lancaster

G. B. Lancaster

Summary

Portrait of G. B. Lancaster G. B. Lancaster What Janie Valentine Did (1922)

They had been dancing on the wide verandah of the Valentines' bungalow before Maurice got there. The moon was very bright over the stables, and at the end of the drive the coolie huts were globes of honey colour. A bread-fruit tree flung sharp, intricate patterns on the grass where Maurice walked softly. He wanted to see Janie, soak in her young white beauty before it flushed up at his coming. Just beyond an orange bush she stood with young Barton, her hand still on his arm as they had come from dancing.
Source: Wikisource

Portrait of G. B. Lancaster G. B. Lancaster What Janie Valentine Did (1922)

Not a man but thought of the Maurice they had known running desperately from that lost joy of life that had been his, that lost power of magic word and craftsmanship that had been his running under the slant, incurious eyes of the little yellow men on the Kobe water-front, the blue, heavy eyes of the broad white-clad Dutchmen who gave him passage here and there, contemptuous eyes of those white men who sharpen their wits into a tool to live by, eyes of women—but women had never attracted Maurice particularly. All his poems and laudations had been for men and the labour of men.
Source: Wikisource

Portrait of G. B. Lancaster G. B. Lancaster What Janie Valentine Did (1922)

It was more than a year later when Janie Barton came one day to her husband with a new book in her hands and her soft eyes glowing.
"Such beautiful, beautiful things, Dick! A thousand times better than anything Mr. Maurice ever wrote before. They're wonderful. So strong!"
"I don't want to see 'em, love. I'm shut of Maurice. The truth isn't in him, and never was. Just because he's got a trick with words, he can write of what other folk feel. He can't feel. He's a trickster."
Source: Wikisource

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