Summary

Portrait of Gaillard Hunt Gaillard Hunt The history of the seal of the United States (1909)

The committee to design the arms of the new nation had no national precedent to follow, for the arms of a kingdom are nearly always those of the sovereign or his family, and the new Republic could accept no individual’s arms. The several colonies, however, each had a seal, and these, as they were generally significant and simple, would have been a fair guide to the exigencies of a national seal. The members of the committee, however, had an idea that an allegorical picture significant of the fortunes and destiny of the United States would be more appropriate
Source: Gutenberg

Portrait of Gaillard Hunt Gaillard Hunt The history of the seal of the United States (1909)

Putting the eagle as the central figure of his design, he specified that it be an American eagle, rising, not displayed. As emblematic of the war power he put in the sinister talon a bundle of arrows, where Barton had put the American flag, introducing the arrows into the seal for the first time. To picture peace he put in the eagle’s dexter talon an olive branch which had figured in the device of the second committee, instead of Barton’s sword and wreath of laurel.
Source: Gutenberg

Portrait of Gaillard Hunt Gaillard Hunt The history of the seal of the United States (1909)

The motto “E pluribus unum” [14] was in familiar use in the United States and naturally suggested itself as a fitting description of the union of the States depicted in Du Simitière’s design.
Franklin suggested the motto “Rebellion to tyrants is obedience to God,” which, as we have seen, was incorporated in the proposed reverse of the seal. It so much pleased Jefferson that he took it as his own motto, and had it cut upon his private seal. It was current in the colonies as part of a fictitious epitaph over the body of John Bradshaw, president of the court which condemned Charles I to death.
Source: Gutenberg

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