Summary

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — X. A DRAMA IN THE NIGHT (1914)

Then she moaned, distractedly, and wept bitterly, and the dramatic atmosphere in which she thus suddenly enveloped Féodor made it all sound like those cries of an earlier time when the all-powerful, punishing father appeared in the women’s apartments to punish the culpable ones.
“My father! Dear Father! Look at me! Look at me! Have pity on me, and do not require me to speak when I must be silent forever. And believe me! Do not believe these men! Do not believe Matrena Pétrovna. And am I not your daughter? Your very own daughter! Your Natacha Féodorovna! I cannot make things dear to you.
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — X. A DRAMA IN THE NIGHT (1914)

Féodor roared like a lion:
“His name!”
“Monsieur will tell you himself,” said Natacha, in a voice thick with terror, and she pointed to Koupriane. “Why does he not tell you himself the name of that person? He must know it, if the man is dead.”
“And if the man is not dead,” replied Féodor, who visibly held onto himself, “if that man, whom you helped to enter my house this night, has succeeded in escaping, as you seem to hope, will you tell us his name?”
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — X. A DRAMA IN THE NIGHT (1914)

In the little datcha across the river at Krestowsky there was a body. Secret Service agents guarded it while they waited for their chief. Michael Nikolaievitch had come there to die, and the police had reached him just at his last breath. They were behind him as, with the death-rattle in his throat, he pulled himself into his chamber and fell in a heap. Katharina the Bohemian was there. She bent her quick-witted, puzzled head over his death agony. The police swarmed everywhere, ransacking, forcing locks, pulling drawers from the bureau and tables, emptying the cupboards.
Source: Wikisource

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