Gaston Leroux,
The Secret of the Night — XIX. THE TSAR
(1914)
“ But why had Natacha compromised herself with the Nihilists? Was it necessarily in order to lose her father? Might it not be, on the contrary, in order to save him? When one has rendezvous with an enemy it is not necessarily to enter into his game, sometimes it is to disarm him with an offer. Between these two hypotheses, which I alone took the trouble to examine, I did not hesitate long, because Natacha’s every attitude proclaimed her innocence: and her eyes, Sire, in which one read purity and love, prevailed always with me against all the passing appearances of disgrace and crime. ”
