Summary

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 2… (1860)

“ Tom looked confused and awkward, while Philip rose and glanced at him timidly. Tom did not like to go up and put out his hand, and he was not prepared to say, "How do you do?" on so short a notice.
Mr. Stelling wisely turned away, and closed the door behind him; boys' shyness only wears off in the absence of their elders.
Philip was at once too proud and too timid to walk toward Tom. He thought, or rather felt, that Tom had an aversion to looking at him; every one, almost, disliked looking at him; and his deformity was more conspicuous when he walked.
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Source: Wikisource

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 2… (1860)

“ Tom felt in an uncomfortable flutter as he took off his woollen comforter and other wrappings. He had seen Philip Wakem at St. Ogg's, but had always turned his eyes away from him as quickly as possible. He would have disliked having a deformed boy for his companion, even if Philip had not been the son of a bad man. And Tom did not see how a bad man's son could be very good. His own father was a good man, and he would readily have fought any one who said the contrary. ”
Source: Wikisource

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 2… (1860)

“ I like to know what everybody else knows. I can study what I like by-and-by."
"I can't think why anybody should learn Latin," said Tom. "It's no good."
"It's part of the education of a gentleman," said Philip. "All gentlemen learn the same things."
"What! do you think Sir John Crake, the master of the harriers, knows Latin?" said Tom, who had often thought he should like to resemble Sir John Crake.
”
Source: Wikisource

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