Summary

Portrait of George Gissing George Gissing Nobodies at Home — V. Humble Felicity (1895)

To begin with, they had a house in Kennington Road; a large house, which all day, and half through the night, shook to the ceaseless clang of highway traffic. True, they occupied only two rooms, and those in the gloomy basement of the edifice; but they felt proud of its commanding position, proud of the high rent, and of the superior class of lodgers among whom the upper rooms were apportioned. They seldom had a vacancy, and their lodgers were for the most part professional people; that is to say, actors and music-hall artistes.
Source: Wikisource

Portrait of George Gissing George Gissing Nobodies at Home — V. Humble Felicity (1895)

Ceiling, walls, and floor shone with ancient filth, and the atmosphere declared a perpetual use of the frying-pan. Of the room which served as bedchamber there is perhaps no need to speak. Mrs. Batty's domestic assistant was a young woman who came at seven in the morning, and went home, as a rule, at midnight. The professional lodgers showed themselves tolerant in the matter of cleanliness; if protest were ever made, Mrs. Batty knew how to resent it, and the sound of her voice, when she was really wounded in self-respect, had occasionally drawn the attention of pedestrians in Kennington Road.
Source: Wikisource

Portrait of George Gissing George Gissing Nobodies at Home — V. Humble Felicity (1895)

If he wanted a pennyworth of hair oil, he would succeed in getting it at wholesale price. With the natural aptitude of her sex Mrs. Batty had learnt almost to rival her husband in this pursuit of economy. As a landlady, she, of course, regarded her lodgers as the source of multifarious profit; but the skill with which she used her opportunities, whilst avoiding, for the most part, what she would have called "unpleasantness," and carefully keeping on the windy side of the law, altogether outshone the precedents even of Kennington Road.
Source: Wikisource

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