George O. Smith

George O. Smith

Summary

Portrait of George O. Smith George O. Smith Calling the Empress (1943)

Meters began to climb upward across their scales, and the generators moaned in a descending whine. A shielded monitor began to glow, indicating that full power was vomiting from the mouth of the reflector.
And out from the projector there went, like a spearhead, a wavefront of circularly polarized microwaves. Die-true they sped, crossing the void like a line of sight to an invisible spot above Mars and to the left. Out past the Sun, where they bent inward just enough to make Jim's job tough. Out across the open sky they sped at the velocity of light, and taking sixteen minutes to get there.
Source: Gutenberg

Portrait of George O. Smith George O. Smith Calling the Empress (1943)

This problem of the Empress of Kolain was different. Spaceships were invisible, therefore the beam-control man must sight on Mars and the mechanical cam would keep the ship in sight of the beam.
The hours went past in a peculiar mixture of speed and slowness. On one hand the minutes sped by swiftly and fleetingly, each tick of the clock adding to the lost moments, never to be regained. Time, being precious, seemed to slip through their fingers like sifting sand.
Source: Gutenberg

Portrait of George O. Smith George O. Smith Calling the Empress (1943)

Most of the time the Empress of Kolain seemed as steady as solid rock.
Only the First Officer, on the bridge, and the Chief Pilot, far below in the control room, knew just how erratic their course truly was. But they were not worried. They were not a shell, fired from a gun; they were a spaceship, capable of steering themselves into any port on Venus when they arrived and the minute wobbulations in their course could be corrected when the time came. For nothing that had come across the universe yet had ever prevented the ship of space from seeing where it was going.
Source: Gutenberg

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