George Sylvester Viereck

George Sylvester Viereck

Summary

Portrait of George Sylvester Viereck George Sylvester Viereck The House of the Vampire — XXVII (1907)

Nothing had changed there since then; only in Ernest's mind the room had assumed an aspect of evil. The Antinous was there and the Faun and the Christ- head. But their juxtaposition to-day partook of the nature of the blasphemous. The statues of Shakespeare and Balzac seemed to frown from their pedestals as his fingers were running through Reginald's papers. He brushed against a semblance of Napoleon that was standing on the writing-table, so that it toppled over and made a noise that weirdly re-echoed in the silence of the room.
Source: Wikisource

Portrait of George Sylvester Viereck George Sylvester Viereck The House of the Vampire — XXVII (1907)

At that moment a curious family resemblance between Shakespeare, Balzac, Napoleon—and Reginald, forcibly impressed itself upon his mind. It was the indisputable something that marks those who are chosen to give ultimate expression to some gigantic world- purpose. In Balzac's face it was diffused with kindliness, in that of Napoleon sheer brutality predominated. The image of one who was said to be the richest man of the world also rose before his eyes.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature