Summary

Portrait of Georgius Agricola Georgius Agricola De re metallica (1912) — Translator preface (1912)

Considering the part which the metallic arts have played in human history, the paucity of their literature down to Agricola's time is amazing. No doubt the arts were jealously guarded by their practitioners as a sort of stock-in-trade, and it is also probable that those who had knowledge were not usually of a literary turn of mind
Source: Wikisource

Portrait of Georgius Agricola Georgius Agricola De re metallica (1912) — Translator preface (1912)

The methods and processes have long since been superseded; yet surely such a milestone on the road of development of one of the two most basic of human industrial activities is more worthy of preservation than the thousands of volumes devoted to records of human destruction. To those interested in the history of their own profession we need make no apologies, except for the long delay in publication.
Source: Wikisource

Portrait of Georgius Agricola Georgius Agricola De re metallica (1912) — Translator preface (1912)

We feel that it is scarcely doing Agricola justice to publish De Re Metallica only. While it is of the most general interest of all of his works, yet, from the point of view of pure science, De Natura Fossilium and De Ortu et Causis are works which deserve an equally important place. It is unfortunate that Agricola's own countrymen have not given to the world competent translations into German, as his work has too often been judged by the German translations, the infidelity of which appears in nearly every paragraph.
Source: Wikisource

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