Summary

1911 Encyclopædia Britannica, Volume 27… (1911)

Arthur O’Shaughnessy skirts the borders of translation without quite entering into the field; he elaborates, paraphrases and embroiders rather than translates the lais of Marie de France.
Most versions of modern foreign writers are mere hackwork carelessly executed by incompetent hands, and this is even more true of England than of France and Germany. But, with the development of literature in countries whose languages are unfamiliar, the function of the translator increases in importance, and in some few cases he has risen to his opportunity.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 27… (1911)

The first translator whose name is recorded in the history of European literature is L. Livius Andronicus, a manumitted Greek slave who about 240 B.C., rendered the Odyssey into Saturnian verse. This translation, of which some fragments are preserved, was long in use as a school text, for Horace studied it under the formidable Orbilius; but Andronicus appears to have recognized his mistake in using the native Latin measure as a vehicle of literary expression, and is said to have rendered Greek tragedies and comedies into metres corresponding to those of his Greek originals.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 27… (1911)

The characteristics of a good translation in the literary sense, and the history of the influence, through translations, of one literature on another, are worth more detailed notice. Dryden has prescribed the course to be followed in the execution of the ideal translation: “A translator that would write with any force or spirit of an original must never dwell on the words of his author. He ought to possess himself entirely, and perfectly comprehend the genius and sense of his author, the nature of the subject, and the terms of the art or subject treated of
Source: Wikisource

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