Originality, in literary and artistic contexts, refers to the quality of being newly created or distinct from existing works, grounded in the creator’s unique vision and experience. Authors such as Henry Norman Hudson emphasized its emergence from an individual’s inner world and observations of nature, rejecting mere copying.
George Borrow highlighted the intentional effort to avoid similarity to others’ works, while Walt Whitman connected originality to truth and the "divine concrete" of human experience. Theodore Parker contrasted originality with tradition, portraying it as a vital, evolving element of art. These perspectives collectively emphasize originality as both a personal expression and a dynamic force shaping cultural and creative development.