Claude McKay

Biographical details

Portrait of Claude McKay Claude McKay,  A long way from home (1937)

“ But the journalist was loudly positive that it was easy for a Negro writer to make a sensational success as a writer by "betraying" his race to the white public. So many of the Negro élite love to mouth that phrase about "betraying the race"! As if the Negro group had special secrets which should not be divulged to the other groups. I said I did not think the Negro could be betrayed by any real work of art. If the Negro were betrayed in any place it was perhaps in that Negro press, by which the journalist was syndicated, with its voracious black appetite for yellow journalism. ”
Source: Gutenberg

Portrait of Claude McKay Claude McKay,  Spring in New Hampshire — A Memory of June (1920)

“ I always see the cheerful little room,
⁠And in the corner, fresh and white, the bed
Sweet scented with a delicate perfume,
⁠Wherein for one night only we were wed:
Where in the starlit stillness we lay mute
⁠And heard the whispering showers all night long,
And your brown burning body was a lute
⁠Whereon wild passion played his fevered song.
When June comes dancing o'er the death of May,
⁠With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
⁠A night of rare love, perfect and complete.
”
Source: Wikisource

Portrait of Claude McKay Claude McKay,  A long way from home (1937)

“ I have never had the slightest desire to insult Harlem society or Negro society anywhere, because I happen not to be of it. But ever since I had to tog myself out in a dress suit every evening when I worked as a butler, I have abhorred that damnable uniform. God only knows why it was invented. My esthetic sense must be pretty bad, for I can find no beauty in it, either for white or colored persons. I admire women in bright evening clothes. But men! Blacks in stiff-starched white façades and black uniforms like a flock of crows, imagining they are elegant—oh no! ”
Source: Gutenberg

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