Margaret Horton Potter

Biographical details

Portrait of Margaret Horton Potter Margaret Horton Potter,  Istar of Babylon: A Phantasy

“ Woe unto us! It is the plague!"
It was as if every soul in the city was become a leper, and each was crying his disease. At the first sound of it Ramûa's heart turned sick within her, and Beltani became as white as the dawn. For Beltani could remember the last plague in Babylon.
"Charmides! Why does he stay?" whispered Ramûa to her mother, over and over again; and it was the only word that passed between them till, with the first beams of the sun, the Greek was seen coming into the square in front of the tenement. At sight of him Ramûa gave a little cry:
"He is not alone!"
”
Source: Gutenberg

Portrait of Margaret Horton Potter Margaret Horton Potter,  The flame-gatherers (1904)

“ Oman heeded nothing, nor remembered what surrounded him. He had forgotten Mandu, the day, the woman of gold, the beauty of Bhavani—everything; and had slipped back into the old freedom of his days on the Silver Peak. Humankind was infinitely far from his thoughts. But humankind had not forgotten him. Suddenly the curtain of his doorway was thrust aside, and Bhavani came quietly into the room.
The Rajah was not now in royal raiment, but clad from head to heels in spotless white, the purity of which seemed a fitting frame for his fine physique and the spiritual dignity of his face.
”
Source: Gutenberg

Portrait of Margaret Horton Potter Margaret Horton Potter,  The House of de Mailly (1901)

“ The dress that he wore was not expensive, though its ruffles were of fine Mechlin, and he carried both patch and snuff box of ivory and gold. Richelieu, who preceded him up the narrow stairs, was a more striking figure—taller, broader of frame, with well-shaped head, great brown eyes that had carried him through life, a hand like a woman's, with muscles of steel, a smile that had won him a king's heart, and a charm, a power of presence which had made time stand still before him, so that his eight-and-forty years were something less than Claude de Mailly's twenty-three. ”
Source: Gutenberg

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