Charmides

Definition and stakes

Portrait of Margaret Horton Potter Margaret Horton Potter,  Istar of Babylon: A Phantasy

“ The meal was quickly over, and, a few minutes afterwards, Charmides could scarcely have told how, he found himself walking, lyre in hand, at Ramûa's side, along the bank of the canal, on the way to the temple of Istar. On her head Ramûa carried her basket of fresh flowers. The Greek watched her closely and with delight as she moved, lithe, straight, and graceful as a young tiger, her bare feet making delicate marks in the dust of the way, her hair, to-day unbound, swinging behind her in long, silken masses. And Charmides' beauty-loving eyes brought joy to his soul as he regarded her. ”
Source: Gutenberg

Portrait of Margaret Horton Potter Margaret Horton Potter,  Istar of Babylon: A Phantasy

“ And is it thy thought that our wealth is so great that we must house here another one—we who have not the wherewithal to exist except in misery? Why is the great goddess wroth with us? Wherein have I offended her, that she sends me another mouth to feed? What can he do, this pale-eyed, white-headed thing? Who is he that you bring him home with you? What have you done, Ramûa? How speak you to men that you do not know—men of his class? I will—"
She suddenly stopped; for Charmides' "pale" eyes were fastened on her intently, as if he would have read her words from her expression.
”
Source: Gutenberg

Portrait of Margaret Horton Potter Margaret Horton Potter,  Istar of Babylon: A Phantasy

“ The prospect of departure was, too, far easier for Charmides to contemplate than it would have been for Phalaris, with all the athlete's affected stoicism. Up to this time Charmides had led a lonely life; no tastes that rendered him companionable towards others, or, rather, holding within himself resources that enabled him to lead a life in which the presence of others was unnecessary and undesirable. ”
Source: Gutenberg

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