“ GERALD. Then why did you say— PAMELA (looking at him rather wistfully) . You're rather charming, Gerald, you know, and you— GERALD (turning away from her furiously) . Damn charming! That's what you all say. I'm sick of it! You think that if a man's charming, that's the end of him, and that all he's good for is to amuse a few old ladies at a tea party. I'm sick of it! The rude rough man with the heart of gold—that's the only sort that can have a heart at all, according to some of you. PAMELA (utterly surprised by this) . Gerald! GERALD. I'm sorry, Pamela. ”
A. A. Milne
Biographical details
Alan Alexander Milne (1882–1956) was a British author renowned for creating the beloved children’s character Winnie-the-Pooh, whose stories explore themes of childhood imagination and the delicate intricacies of human relationships. Before his literary fame, Milne was a playwright and journalist, with works like The Red House Mystery demonstrating his versatility.
His children’s books, including Winnie-the-Pooh (1926) and The House at Pooh Corner (1928), remain iconic, while his plays and essays reflect a refined examination of social and personal dynamics, solidifying his legacy as a multifaceted writer whose works connect the innocence of youth with the nuances of adult life.
Quotes by A. A. Milne
“ OLIVIA. A threat? Oh no, George.GEORGE. Then what does it mean?OLIVIA. I'm just wondering if you love me as much as Brian loves Dinah. You do love me?GEORGE (from his heart) . You know I do, old girl. (He comes to her.) OLIVIA. You're not just attracted by my pretty face? . . . Is it a pretty face?GEORGE. It's an adorable one. (He tries to kiss it, but she turns away.) OLIVIA. How can I be sure that it is not only my face which makes you think that you care for me? Love which rests upon a mere outward attraction cannot lead to any lasting happiness—as one of our thinkers has observed. ”
“ LEONARD. Nonsense! My Anne with nerves? (Bitterly) Now if it had been Eustasia——ANNE (coldly) . Really, Leonard, I think we had better leave your wife out of the conversation.LEONARD. I beg your pardon.ANNE (to herself) . Perhaps you’re right. In a crisis we are all alike, we women.LEONARD (going over to her) . No, damn it, I won’t have that. It’s—it’s blasphemy. Anne, my darling—— (She stands up and he takes her hands.) ANNE. Oh!... I am different, aren’t I?LEONARD. Darling!ANNE. I’m not a bit like—like anybody else, am I, not even when I’m cross?LEONARD. Darling! ”
