A. A. Milne

Biographical details

Portrait of A. A. Milne A. A. Milne First Plays

GERALD. Then why did you say—
PAMELA (looking at him rather wistfully) . You're rather charming, Gerald, you know, and you—
GERALD (turning away from her furiously) . Damn charming! That's what you all say. I'm sick of it! You think that if a man's charming, that's the end of him, and that all he's good for is to amuse a few old ladies at a tea party. I'm sick of it! The rude rough man with the heart of gold—that's the only sort that can have a heart at all, according to some of you.
PAMELA (utterly surprised by this) . Gerald!
GERALD. I'm sorry, Pamela.
Source: Gutenberg

Portrait of A. A. Milne A. A. Milne Second Plays

OLIVIA. A threat? Oh no, George.
GEORGE. Then what does it mean?
OLIVIA. I'm just wondering if you love me as much as Brian loves Dinah. You do love me?
GEORGE (from his heart) . You know I do, old girl. (He comes to her.)
OLIVIA. You're not just attracted by my pretty face? . . . Is it a pretty face?
GEORGE. It's an adorable one. (He tries to kiss it, but she turns away.)
OLIVIA. How can I be sure that it is not only my face which makes you think that you care for me? Love which rests upon a mere outward attraction cannot lead to any lasting happiness—as one of our thinkers has observed.
Source: Gutenberg

Portrait of A. A. Milne A. A. Milne Three Plays

LEONARD. Nonsense! My Anne with nerves? (Bitterly) Now if it had been Eustasia——
ANNE (coldly) . Really, Leonard, I think we had better leave your wife out of the conversation.
LEONARD. I beg your pardon.
ANNE (to herself) . Perhaps you’re right. In a crisis we are all alike, we women.
LEONARD (going over to her) . No, damn it, I won’t have that. It’s—it’s blasphemy. Anne, my darling—— (She stands up and he takes her hands.)
ANNE. Oh!... I am different, aren’t I?
LEONARD. Darling!
ANNE. I’m not a bit like—like anybody else, am I, not even when I’m cross?
LEONARD. Darling!
Source: Gutenberg

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