J. Comyns Carr

Biographical details

Portrait of J. Comyns Carr J. Comyns Carr,  Coasting Bohemia

“ Macbeth in Kemble’s hand is only a co-operating part. I can conceive Garrick to have sunk Lady Macbeth as much as Mrs. Siddons does Macbeth, yet when you see Mrs. Siddons play the part you scarcely can believe that any acting could make her part subordinate. Her turbulent and inhuman strength of spirit does all. She turns Macbeth to her purpose, makes him her mere instrument, guides, directs, and inspires the whole plot. Like Macbeth’s evil genius, she hurries him on in the mad career of ambition and cruelty from which his nature would have shrunk. ”
Source: Gutenberg

Portrait of J. Comyns Carr J. Comyns Carr,  Some eminent Victorians: Personal recollections in the world of art and letters (1908)

“ It is the moment when art leans towards bric-a-brac, when the painter or the sculptor is no longer spurred by the larger desire to have his work understanded of the people, when he is content in each little coterie with the appreciation of his disciples who in their turn aim at nothing better than the approbation of their master. That any work worthy of the name, whether in literature, painting, or sculpture, must of necessity conform to the irrefutable laws of the medium in which it is expressed, is little better than an outworn platitude. ”
Source: Gutenberg

Portrait of J. Comyns Carr J. Comyns Carr,  Coasting Bohemia

“ If she had been endowed with Macbeth’s imagination, which could ride so swiftly on the track of consequence, Duncan would indeed have gone forth on the morrow as he purposed. It needed this fatal combination to effect what neither would have accomplished alone—the man’s guilty conception poisoning and possessing the woman’s soul, the woman’s surrender to his will so complete and passionate that when he falters she stands before him as the glittering image of his former self, a superb creation of his own brain, endowed with all, and more than all, the courage he had lost. ”
Source: Gutenberg

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