Thomas Carlyle

“ On this principle they have striven not to yield to the tempting idea—too often a delusion—that by sacrificing the letter they may preserve the spirit. On the contrary, they have thought that, in such a case as this, the letter and spirit are in a large measure inseparable. With, therefore, no small expenditure of trouble, they have tried, with what success the reader must judge, to reproduce in suitable English the matter, manner, and metre of the original.
With regard to the language, no futile attempt has been made by archaicisms to give the translation the appearance of an antique. ”

“ But, on the other hand, it may be urged that a prose translation of a rhymed poem can never be an adequate equivalent, especially in a work like the Nibelungenlied, where it must be obvious to any student that its construction in rhyme and strophe have played an important part in determining its style and character. Rhyme and rhythm are essential features of it; and the modern reader (as distinguished from the student) requires, no less than the medieval listener, the stimulus which they supply. ”

“ Assuming the indispensable qualification of sympathy needful in the translation of any work of art from one medium to another, the differences in word-formation, in inflexion, and in grammatical construction between any two languages interpose mechanical obstacles which are inconsistent with the preservation of metrical similarity; a more or less close approximation is all that can be looked for. ”