Summary

Aeneid (Conington 1866).djvu

“ It would be vain to deny that during the progress of the translation I have often been made sensible of the profound difference between poetry like Scott's, which, with all its antiquarianism, is still modern, and poetry like Virgil's, which, with all its modern affinities, is still ancient. An ancient narrative is minute where a modern one is brief: it is brief where a modern one is diffuse. Virgil is full of details, but always rapid: the reader is carried past a number of objects in succession, without being allowed, except on very rare occasions, to pause at any. ”
Source: Wikisource

Aeneid (Conington 1866).djvu

“ A translator not so constituted will be better employed in endeavouring to bring about resemblance to his author by applying a principle of compensation, by strengthening his version in any way best suited to his powers, so long as it be not repugnant to the genius of the original, and trusting that the effect of the whole will be seen to have been cared for, though the claims of the parts may appear to have been neglected. Even the simpler peculiarities of Virgil's style, such as his fondness for saying the same thing twice over in the same line, I have not always been at pains to copy. ”
Source: Wikisource

Aeneid (Conington 1866).djvu

“ What is graceful in the Latin will not always be graceful in a translation: and to be graceful is one of the first duties of a translator of the Æneid. It has often happened that by ignoring a repetition I have been able to include the entire sense of a hexameter in a single English line of eight syllables; and in such cases I have been glad to make the sacrifice. Not the least of the evils of the measure I have chosen is a tendency to diffuseness: and in translating one of the least diffuse of poets such a tendency requires a strong remedy. ”
Source: Wikisource

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