Virgil

“ It would be no exaggeration to say that the poems of Virgil, and especially the Aeneid, have contributed more than any other works of art in modern times, not only to stamp the impression of ancient Rome on the imagination, but to educate the sensibility to generous emotion as well as to literary beauty. There is probably no author, even at the present day, of whom some knowledge may be with more certainty assumed among cultivated people of every nation. ”

“ Her, one saith, Mother Earth, when stung by wrath against the gods, bore last sister to Coeus and Enceladus, fleet-footed and swift of wing, ominous, awful, vast; for every feather on her body is a waking eye beneath, wonderful to tell, and a tongue, and as many loud lips and straining ears. By night she flits between sky and land, shrilling through the dusk, and droops not her lids in sweet slumber; in daylight she sits on guard upon tall towers or the ridge of the house-roof, and makes great cities afraid; obstinate in perverseness and forgery no less than messenger of truth. ”

“ The task of giving poetic life to the dry prose of Cato, to the dust of antiquarian learning, and to the rigid formalism of the old Roman ceremonial must have taxed the poet’s powers more than that of reawakening the interest in the old Homeric life. Virgil accomplishes this result through his power of living at the same time in the past and in the present; of feeling powerfully the associations of a remote antiquity, and the immediate action of all that was most impressive to thought and imagination in the age in which he lived. ”

“ His versification, simple, clear, and flowing, has a purity, music, and dignity of numbers, that ever and anon seems to bring upon the ear the mellifluous majesty of Virgil: he tempers the gravity of his style with such a continuous sweetness as to form in their union a harmony equally proportioned. The pause of his verses is always full of beauty, the closing melody of the sentence gratifying the reader as he rests. With all his delicacy of expression and artful sweetness, he has remarkable pliancy and ease ”

“ The general superiority of Virgil’s art to that of Lucretius is equally apparent in his rhythm. The powerful movement of spirit which Lucretius feels in the presence of the sublimer spectacle of Nature and of the more solemn things of human life does indeed produce isolated effects of majestic speech and sonorously rhythmical cadence, swelling above the deep, strong, monotonous flow of his ordinary verse, which neither Virgil nor any other poet has surpassed. ”

“ Probably Virgil himself would not have cared to probe too deeply the state of half-belief in which his heart and mind realised the bright existence and kindly influence of beings consecrated to him by the most cherished associations of living art and the poetry of the past. Even Lucretius, while sternly rejecting all belief in their existence as absolutely incompatible with truth, feels from time to time attracted by their poetical charm. ”

“ Yet perhaps it is doing no injustice to the genius of Virgil to say that his power in dealing with human life consists generally in conceiving some state of feeling, some pathetic or passionate situation, rather than in the creation and sustained development of living characters. How the great impersonations of poetry and prose fiction, which are more real to our imaginations than the personages of history or those whom we know in life, come into being, is a question which probably their authors themselves could not answer. ”

“ Again, although his rhythm, even at its best, falls far short of the intricate harmony and variety of Virgil, and, in its more level passages, scarcely aims at pleasing the ear at all, yet there is a kind of grandeur and dignity even in its monotony, varied, as that is, by deeper and more majestic tones whenever his spirit is stirred by impulses of awe, wonder, and delight. There is always a sense of life and onward movement in the flow of his verse. ”

“ If the Design be good, and the Draught be true, the Colouring is the first Beauty that strikes the Eye. Spencer and Milton are the nearest in English, to Virgil and Horace in the Latin; and I have endeavour'd to form my Stile by imitating their Masters. I will farther own to you, my Lord, that my chief Ambition is to please those Readers who have discernment enough to prefer Virgil before any other Poet in the Latin Tongue. Such Spirits as he desir'd to please, such wou'd I chuse for my Judges, and wou'd stand or fall by them alone. ”

“ Greek and modern works of imagination manifest a profounder feeling, a more varied contemplation of the mystery of life, than is compatible with the more realistic tendencies of Latin poetry. And though the representation of the outward world in Virgil is, in its serene beauty, suggestive of a secret unceasing life which appeals to the human spirit in its more tranquil moods, yet it does not move the mind to that profounder sense of an affinity between the soul of man and the soul of Nature which the great modern poets awaken. ”

“ Cleric said he thought Virgil, when he was dying at Brindisi, must have remembered that passage. After he had faced the bitter fact that he was to leave the ‘Aeneid’ unfinished, and had decreed that the great canvas, crowded with figures of gods and men, should be burned rather than survive him unperfected, then his mind must have gone back to the perfect utterance of the ‘Georgics,’ where the pen was fitted to the matter as the plough is to the furrow; and he must have said to himself, with the thankfulness of a good man, ‘I was the first to bring the Muse into my country.’ ”

“ And, while the priests with pray’r the gods invoke,
She feeds their altars with Sabaean smoke,
With hourly care the sacrifice renews,
And anxiously the panting entrails views.
What priestly rites, alas! what pious art,
What vows avail to cure a bleeding heart!
A gentle fire she feeds within her veins,
Where the soft god secure in silence reigns.
Sick with desire, and seeking him she loves,
From street to street the raving Dido roves. ”

“ Virgil creates a new ideal of happiness for the contemplation of his countrymen by combining the old realistic delight in the husbandman’s life with the imaginative longing for the peace and innocence of a Saturnian Age, and with that new delight in the living beauty of the world and in the charm of ancient memories which it was his especial office to communicate. ”

“ Nothing shows the perfect sanity of Virgil’s genius more clearly than his entire exemption from the besetting sin of our own didactic poetasters of last century—a sin from which even Wordsworth himself is not altogether free—that of calling common things by pompous names, and of dignifying trifles by applying heroic phrases to them. ”

“ But in most cases, where he is not merely imitative, the dramatic form is to Virgil as a kind of veil under which he may partially reveal what moved him most in connexion with his own personal fortunes, and may express his sympathies with literature, with outward nature, and with certain moods and sentiments of the human heart. It is not in virtue of the originality and consistency of their conception, but of their general truth of feeling and the perfection of the medium through which that feeling is conveyed, that those who admire the Eclogues must vindicate their claim to poetic honour. ”

“ It is said that the greatest soldier of modern times, in the enforced leisure of his last years, condescended to express a criticism, not indeed a favourable one, on Virgil’s skill as a tactician; and it is an element of novelty in the representation of the Aeneid that it suggests at least some image of the combined operations of modern warfare. But it is in the play which Virgil gives to the other human emotions of his personages, tempering and counteracting the blind rage of battle, that the poet of a more advanced era most conspicuously appears. ”

“ There is probably no passage in Virgil, scarcely any in Latin poetry, which must strike the modern reader as so unreal as this, or so untrue to the actual convictions of educated men. There is none in which the language of adulation appears so palpably, or in which the love of mythological allusion, as one of the conventional ornaments of poetry, appears to exercise so unfortunate an influence on the truthful feeling of the poet. ”

“ And while his tenderness of feeling has made Virgil the familiar friend of one class of minds, his high magnanimous spirit has equally gained for him the admiration of another class. The words of no other poet, ancient or modern, have been so often heard in the great debates of the English Parliament, which more than any other deliberations among men have reproduced the dignified and masculine eloquence familiar to the Roman Senate. ”

“ Virgil recognises the source of his own strength in the words
Flumina amem silvasque. It is the power of love which quickens his intuition and enables him to perceive the tenderness and beauty revealed in the living movement of Nature. He receives and applies the complete ideas of Lucretius, but he does not follow them with the eagerness of their author through the various phases of their development. Certain results of a philosophic system affect his imagination, but he does not seem to feel how these results necessarily exclude other conclusions which he will not abandon. ”

“ Knoweth the sound, the promised help, his Goddess-mother's meed.
He saith: "Yea, verily, O host, to ask is little need
What hap this portent draweth on: the Gods will have me wend;
The God that made me promised erst such heavenly signs to send
If war were toward; and through the sky she promised to bear down
Arms Vulcan-fashioned for my need.
Woe's me for poor Laurentium's folk! what death, what bloody graves!
—Ah, Turnus, thou shalt pay it me!—how many 'neath thy waves,
O Father Tiber, shalt thou roll the shields and helms of men,
And bodies of the mighty ones! ”

“ Fate withstands, and lays divine bars on unmoved mortal ears. Even as when the eddying blasts of northern Alpine winds are emulous to uproot the secular strength of a mighty oak, it wails on, and the trunk quivers and the high foliage strews the ground; the tree clings fast on the rocks, and high as her top soars into heaven, so deep strike her roots to hell; even thus is the hero buffeted with changeful perpetual accents, and distress thrills his mighty breast, while his purpose stays unstirred, and tears fall in vain. ”

“ The secret of his long ascendency is, in the words of Sainte-Beuve, that ‘he gave a new direction to taste, to the passions, to sensibility: he divined at a critical period of the world’s history what the future would love.’
It is only in the present century that the question has been asked whether this great reputation was deserved. But the earliest witness who might be called against his claims to this high distinction is Virgil himself. ”

“ Virgil is, in his allegory, the human intellect at its best and purest, which comes as near heaven as unassisted humanity may; for he is the guide who only quits the Christian poet when he is close to the gates of Paradise. ”

“ And it is to the attributes summed up in that word that Virgil imparts the ideal life of the imagination.
But not only is the feeling of Nature in the Georgics characteristic of the highest culture of the Italian mind, but the spectacle of Nature,—
‘The outward shows of sky and earth’ brought before us,—is that which still delights the eye and moves the imagination in the various districts of Italy. ”

“ IV. Whether the gifts of intellect and feeling by which Virgil represented his country and his age entitle him to a place among the greatest poets of the world, will be answered variously according to the degree in which men recognise in him the presence of that diviner faculty of imagination which no analysis can explain. If we look to him for the original force of creative imagination which we find in Homer, Aeschylus, and Sophocles on the one hand, and in the greatest poets of modern times on the other, we shall fail to establish his equality with them. ”

“ It cannot be denied that this necessary infusion of prosaic matter deprives even the most perfect specimen of didactic poetry of that purity of imaginative interest which pervades the masterpieces of epic, lyrical, and dramatic genius: but it is, on the other hand, a great triumph of art to have redeemed so much as Virgil has done from the homely realities of life into the more sacred ground of poetry, and that without sacrifice either of the truth of fact or of the dignity and sobriety of expression. ”

“ The course of time brings with it losses as well as gains in sensibility. Though the thoughts of the Latin poet may not help us to understand the spirit of our own era, they are a bond of union with the genius and culture of Europe in other times. If poetry ever exercises a healing and reconciling influence on life, the deep and tranquil charm of Virgil may prove some antidote to the excitement, the restlessness, the unsettlement of opinion in the present day. ”

“ But fierce Æneas on his foeman pressed.
His tree-like spear he poises for the fray,
And pours the pent-up fury of his breast.
"Why stay'st thou, Turnus? Wherefore this delay?
Fierce arms, not swiftness, must decide the day.
Shift as thou wilt, and every shape assume;
Exhaust thy courage and thy craft, and pray
For wings to soar with, or in earth's dark womb 1027 Sink low thy recreant head, and hide thee from thy doom."
CXVI . Thus he; but Turnus shook his head, and said,
"Ruffian! thy threats are but as empty sound;
They daunt not Turnus; 'tis the gods I dread,
And Jove my enemy." ”