Summary

Portrait of Andrew Lang Andrew Lang Letters to Dead Authors

The touch of a lettered society, the strife with the Kirk, discontent with the State, poverty and pride, neglect and success, were needed to make your Genius what it was, and to endow the world with “Tam o’ Shanter,” the “Jolly Beggars,” and “Holy Willie’s Prayer.” Who can praise them too highly—who admire in them too much the humour, the scorn, the wisdom, the unsurpassed energy and courage? So powerful, so commanding, is the movement of that Beggars’ Chorus, that, methinks, it unconsciously echoed in the brain of our greatest living poet when he conceived the “Vision of Sin.”
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang Letters to Dead Authors

Ah, not in the wastes of Speculation, nor the sterile din of Politics, were 'the haunts meet for thee.' Watching the yellow bees in the ivy bloom, and the reflected pine forest in the water-pools, watching the sunset as it faded, and the dawn as it fired, and weaving all fair and fleeting things into a tissue where light and music were at one, that was the task of Shelley! 'To ask you for anything human,' you said, 'was like asking for a leg of mutton at a gin-shop.' Nay, rather, like asking Apollo and Hebe, in the Olympian abodes, to give us beef for ambrosia, and port for nectar.
Source: Gutenberg

Portrait of Andrew Lang Andrew Lang Letters to Dead Authors

So a poet should speak, and to every singer his own land should be dearest. Beautiful is Italy with the grave and delicate outlines of her sacred hills, her dark groves, her little cities perched like eyries on the crags, her rivers gliding under ancient walls; beautiful is Italy, her seas, and her suns: but dearer to me the long grey wave that bites the rock below the minster in the north; dearer is the barren moor and black peat-water swirling in tanny foam, and the scent of bog myrtle and the bloom of heather, and, watching over the lochs, the green round-shouldered hills.
Source: Gutenberg

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