“ If, twenty years ago, I declared in this house that death could never be said to have come before its time to a man who had been consul of Rome, with how much more truth, at my age, may I say it now! To me indeed, gentlemen of the Senate, death may well be a thing to be even desired, when I have done what I have done and reaped the honours I have reaped. Only two wishes I have,—the one, that at my death I may leave the Roman people free—the immortal gods can give me no greater boon than this ”
W. Lucas Collins
Biographical details
William Lucas Collins (1815–1887), an English Anglican priest and essayist, is celebrated for his scholarly translations and interpretations of classical texts. As a Church of England clergyman and educator, he produced editions of Homer, Virgil, and Cicero for the "Ancient Classics for English Readers" series, highlighting moral and philosophical themes.
His works, including The Public Schools and contributions to the Encyclopaedia Britannica, reflect a dedication to education and the lasting significance of classical literature. Collins’ blending of religious wisdom with classical learning underscores his legacy as both a spiritual guide and a literary translator.
Quotes by W. Lucas Collins
“ Æneas and his companion mount the crest of the hill, whence they look down upon the half-finished walls of Carthage, and the swarming bands of workmen. They are digging out the harbour, planning that most essential structure in a city of any pretension, an amphitheatre for public spectacles, and building a magnificent temple to Juno. Girt with a mist of invisibility which Venus has thrown round them,—like Ulysses in the court of Phæacia—the strangers enter the brazen gates of the temple. All is magnificent and wonderful. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ And when Ulysses attempts to comfort him with the thought of the deathless glory which surrounds his name, the hopelessness of his answer sets forth, in the darkest colours, that gloomy view of human destiny which breaks out from time to time in the creed of the poet, and which belongs to the character of his favourite hero. Whether the Odyssey did or did not come from the same hand as the Iliad, at least Achilles is the same in both. ”
“ If another befalls us now, it will be one of our own choosing. That this Roman people should serve any master, when the gods above have willed us to be the masters of the world, is a crime in the sight of heaven. The question hangs now on its last issue. The struggle is for our liberties. You must either conquer, Romans,—and this, assuredly, with such patriotism and such unanimity as I see here, you must do, or you must endure anything and everything rather than be slaves. Other nations may endure the yoke of slavery, but the birthright of the people of Rome is liberty". ”
“ They hesitate no longer: they snatch the embers from the altars, and in a moment the deed is done, and the galleys are in flames. The news is brought to Æneas just as the gay parade of youths is ending; and Ascanius gallops at once down to the shore, dashes his helmet on the ground that all may know him, and implores the furious women to stay their hands. Do they fancy they are burning the war-ships of the Greeks? His voice recalls them to themselves, and in guilty fear and shame they fly to hide themselves among the rocks and woods. Æneas rends his clothes, and appeals to Jupiter. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ There is indeed a passion which we name by the same English word—the mere animal passion, which Homer, to do him justice, deals with but as a matter of fact, and never paints in attractive colours. There is again a love of another kind—the love of the husband for his wife and of the wife for her husband—which the old poet also well understood, and which furnishes him with scenes of the highest pathos and beauty. But as to the sentiment which forms the common staple of modern romance and drama, Homer certainly did not know what it meant, nor Achilles or Briseis either. ”
“ To me, when I consider the nature of the soul, there is far more difficulty and obscurity in forming a conception of what the soul is while in the body,—in a dwelling where it seems so little at home,—than of what it will be when it has escaped into the free atmosphere of heaven, which seems its natural abode". [1] And as the poet seems to us inspired, as the gifts of memory and eloquence seem divine, so is the soul itself, in its simple essence, a god dwelling in the breast of each of us. ”
W. Lucas Collins, Aristophanes
“ If the satire had been bitter and trenchant as to the faults and follies of the present—that unfortunate tense of existence, social and political, which appears never to satisfy men in any age of the world—this brilliant reminiscence of the glories of the past, and anticipation of a still more glorious future, was enough to condone for the poet the broadest licence which he had taken. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ The old man mounts his chariot, “shuddering,” as foreboding the defeat and death of his son. Agamemnon and Ulysses on the one side, Priam and Antenor on the other, duly slay the sacrificial lambs, and make joint appeal to Jupiter, the Avenger of oaths, pouring the red wine upon the earth with solemn imprecation, that so may flow forth the heart’s blood of him who on either part shall break the truce. And the god listens as before, but does not accept the appeal. Priam withdraws, for he cannot bear to be a spectator of his son’s peril. ”
“ The occupation of Anchises in these regions is much more philosophical than that which is assigned to the other shades. He is contemplating the unborn rulers of the Rome that is to be; the spirits, as yet incorporeal, which are soon to receive a new body, and so go forth into upper air. Deep in a forest lies the river Lethe, and a countless multitude of forms are seen thronging its banks, to drink of the water of forgetfulness. Oblivious of all their past lives, they will thus take their place once more, in changed bodies, among the inhabitants of earth. ”
“ And if you, a stranger there among strangers, in the hands of barbarians, amongst men who dwell in the farthest and remotest regions of the earth, would have found protection in the name of your city, known and renowned in every nation under heaven, could the victim whom you were dragging to the cross, be he who he might—and you did not know who he was—when he declared he was a citizen of Rome, could he obtain from you, a Roman magistrate, by the mere mention and claim of citizenship, not only no reprieve, but not even a brief respite from death? ”
“ Æneas is the bird of prey—they are the unwarlike swans; let them but turn on him, and he too will fly. The seer is not content with the mere exposition of auguries; at once he hurls his own javelin into the Trojan ranks, and brings down his man. The fight speedily becomes general. Æneas, unarmed and bareheaded, rushes between the ranks, and is wounded by an arrow while he calls loudly on his own men to keep the truce. None knew, or cared to know, from whose hand the arrow came: for no man, says the poet, was ever heard to boast of such a coward’s shot. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ As Diomed presses on, a thunderbolt from Jupiter ploughs the ground right in front of his startled horses. Nestor sees in this omen the wrath of heaven; and at his entreaty Diomed reluctantly allows him to turn the horses, and retires, pursued by the loud taunts of Hector, who bids the Greek “wench” go hide herself. Thrice he half turns to meet his jesting enemy, and thrice the roll of the angry thunder warns him not to dare the wrath of the god. Hector in triumph shouts to his comrades to drive the Greeks back to their new trenches, and burn their fleet. ”
“ If such moderation be popular at Rome, where there is so much self-assertion, such unbridled freedom, so much licence allowed to all men;—where there are so many courts of appeal open, so many means of help, where the people have so much power and the Senate so much authority; how grateful beyond measure will moderation be in the governor of Asia, a province where all that vast number of our fellow-citizens and subjects, all those numerous states and cities, hang upon one man's nod! where there is no appeal to the tribune, no remedy at law, no Senate, no popular assembly. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ Though in personal strength and speed of foot he excels all the other heroes of the expedition, yet he is not a mere fighter, like his comrade Ajax, but has all the finer tastes and accomplishments of an age which, however fierce and barbarous in many respects, shows yet a high degree of civilisation. Music and song beguile for him the intervals of battle, and, whether indignant, sarcastic, or pathetic, he is always an admirable speaker. There is something of a melancholy interest about him, too, not inappropriate to a hero of romance, which the poet never allows us to forget. ”
“ ÆNEAS MAKES ALLIANCE WITH EVANDER. The turn of events gives the Trojan chief much natural disquiet. All Latium is in arms against his little force of adventurers. He lies down within his lines to a disturbed and anxious rest, where he has a remarkable vision. A figure rises, wrapped in a grey mantle, with his brows crowned with reed. It is “Father Tiber,” the tutelary genius of the Rome that shall be. He bids his visitor be of good cheer: his coming has been long looked for. He renews, for his encouragement, the old oracle of Anchises ”
“ Although I am conscious, gentlemen, that it is a disgrace to me to show fear when I stand here to plead in behalf of one of the bravest of men;—and especially does such weakness ill become me, that when Milo himself is far more anxious about the safety of the state than about his own, I should be unable to bring to his defence the like magnanimous spirit;—yet this strange scene and strangely constituted court does terrify my eyes, for, turn them where I will, I look in vain for the ancient customs of the Forum, and the old style of public trials. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ The two Ajaxes, Ulysses, Menelaus, and Agamemnon himself, “king of men,” come to the forefront of the Greek battle: and the young Antilochus, son of the venerable Nestor, notably wins his spurs. But the Trojans have supernatural aid: and Diomed, of the purged vision, cries to his friends to beware, for that he sees the War-god in their front brandishing his huge spear. The Greek line warily gives ground before this immortal adversary. The Queen of Heaven can no longer endure to be a mere spectatress of the peril of her favourites. ”
“ The city of Carthage, where she was especially honoured, she had hoped to make the mistress of the world. And now—so the inexorable Fates have woven it in their web—this new brood from Troy are to destroy it in the years to come. Rome, and not Carthage, the Roman poet would thus convey to his readers, is to have this universal empire.But they have not reached Latium yet, these hateful Trojans. They never shall. ”
“ Stoics and Peripatetics are agreed at least on one point—that bodily pleasures fade into nothing before the splendours of virtue, and that to compare the two is like holding a candle against the sunlight, or setting a drop of brine against the waves of the ocean. Your Epicurean would have each man live in selfish isolation, engrossed in his private pleasures and pursuits. We, on the other hand, maintain that "Divine Providence has appointed the world to be a common city for men and gods", and each one of us to be a part of this vast social system. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ Thus armed, he mounts his chariot, drawn by the two immortal steeds, Xanthus and Balius—for their mortal yoke-fellow had been slain in the battle in which Patroclus fell. As he mounts, in the bitter spirit which leads him to blame the whole world for the death of his friend, he cannot forbear a taunt to his horses—he trusts they will not leave him on the field, as they left Patroclus. Then the chestnut, inspired by Juno, for once finds a human voice, and exculpates himself and his comrade. It was no fault of theirs; it was the doom of Patroclus, and Achilles’ own doom draws nigh. ”
“ Powerless to stem the popular current, he nevertheless delivers his own soul, and abdicates his sovereignty. The guilt of the blood that shall be shed must rest on those who stir the war. He warns Turnus that he may yet live to rue the part he has taken, when too late: for himself, death will soon put an end to all troubles.By an old tradition,—handed on, as the poet will have it, from these old days of Latium to the Rome of Augustus,—the powers of War were held to be confined within the gates of Janus, the porter of the Immortals, only to be let loose by solemn act of state authority. ”
“ Take away this confidence, destroy this safeguard for our Roman citizens—once establish the principle that there is no protection in the words, 'I am a citizen of Rome'—that praetor or other magistrate may with impunity sentence to what punishment he will a man who says he is a Roman citizen, merely because somebody does not know it for a fact; and at once, by admitting such a defence, you are shutting up against our Roman citizens all our provinces, all foreign states, despotic or independent—all the whole world, in short, which has ever lain open to our national enterprise beyond all". ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ A fourth time the Greek lifts his spear, when an awful voice warns him that neither for him, nor yet for his mightier master Achilles, is it written in the fates to take Troy. Awe-struck, he draws back from the wall, but only to continue his career of slaughter among the Trojans. Apollo meets him in the field, strips from him his helmet and his armour, and shivers his spear in his hand. The Trojan Euphorbus, seeing him at this disadvantage, stabs him from behind, and Hector, following him as he retreats, drives his spear through his body. ”
“ But a hero who could be false to a woman, and who was to find in that falsehood the turning-point to fame and success,—he might befit the loose tale with which the rybauder raised a laugh round the camp-fire, but he was the subject of no lay to which noble knight or dame would listen. The passion might be only pars amours, but it must be loyal. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ In the Iliad the poet never missed an opportunity of letting us know that—whoever he was and wherever he was born—he knew the sea well, and had a seaman’s tastes. But there his tale confined him chiefly to the plain before Troy, and such opportunities presented themselves but rarely. In the Odyssey we roam from sea to sea throughout the narrative, and the restless hero seems never so much at home as when he is on shipboard. It is not without reason that the most ancient works of art which bear the figure of Ulysses represent him not as a warrior but as a sailor. ”
“ Then, as now, death was the great problem of humanity—"to die and go we know not where". The old belief in Elysium and Tartarus had died away; as Cicero himself boldly puts it in another place, such things were no longer even old wives' fables. Either death brought an absolute unconsciousness, or the soul soared into space. "Lex non poena mors"—"Death is a law, not a penalty"—was the ancient saying. It was, as it were, the close of a banquet or the fall of the curtain. "While we are, death is not; when death has come, we are not". ”
“ But as it is, amidst a storm of shouts, the Scylla wins. The turning-point of victory is one which does not approve itself to modern readers. The sea-deities interfere. Standing high upon his quarter-deck, Cloanthus lifts his prayer to the powers of ocean, not to permit his prize to be snatched from him at the last. He vows an offering of a milk-white bull and libations of red wine if they will help him at his need. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ But now the goddess withdraws the prohibition, and herself—putting on the “helmet of darkness,” to hide herself from Mars—takes her place beside him in the chariot, instead of Sthenelus, his henchman and charioteer: and the chariot-axle groans beneath the more than mortal load. They drive in full career against the War-god: in vain he hurls his spear against Diomed, for the hand of the goddess turns it safely aside. The mortal champion is more successful: his spear strikes Mars in the flank, piercing the flesh, and drawing from him, as from Venus, the heavenly “ichor.” ”
“ The terrible days of Marius and Sylla had passed, only to leave behind a taste for blood and licence amongst the corrupt aristocracy and turbulent commons. There were men amongst the younger nobles quite ready to risk their lives in the struggle for absolute power; and the mob was ready to follow whatever leader was bold enough to bid highest for their support.It is impossible here to do much more than glance at the well-known story of Catiline's conspiracy. It was the attempt of an able and desperate man to make himself and his partisans masters of Rome by a bloody revolution. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ The outward tokens of grief are wholly Eastern. Achilles, in the Iliad, when he hears of the death of his friend Patroclus—Laertes, in the Odyssey, when he believes his son’s return hopeless—throw dust upon their heads, like Joshua and the elders of Israel when they hear of the disaster at Ai. King Priam tears his hair and beard in his vain appeal to Hector at the Scæan gates, as Ezra does, when he hears of the trespasses of the Jewish princes. ”
“ Then comes the question, What is this nature that is so precious to each of us? Clearly it is compounded of body and mind, each with many virtues of its own; but as the mind should rule the body, so reason, as the dominant faculty, should rule the mind. Virtue itself is only "the perfection of this reason", and, call it what you will, genius or intellect is something divine. ”
W. Lucas Collins, Homer: The Iliad; The Odyssey
“ At first the hero affects to chide his follower for such girlish sorrow—what cares he for the Greeks? It is plain, however, that he does care; and when Patroclus, in very outspoken terms, upbraids him for his obduracy, and asks that, even if the dark doom that hangs over him makes his chief unwilling to take the field in person, he will at least send him with the Myrmidons to the rescue, Achilles at once consents. Patroclus shall go, clad in his armour, that so perchance the Trojans may be deceived, and think that they see the well-known crest of Achilles himself once more leading the fight. ”
