Iliad

Definition and stakes

W. Lucas Collins,  Homer: The Iliad; The Odyssey

“ In the Iliad the poet never missed an opportunity of letting us know that—whoever he was and wherever he was born—he knew the sea well, and had a seaman’s tastes. But there his tale confined him chiefly to the plain before Troy, and such opportunities presented themselves but rarely. In the Odyssey we roam from sea to sea throughout the narrative, and the restless hero seems never so much at home as when he is on shipboard. It is not without reason that the most ancient works of art which bear the figure of Ulysses represent him not as a warrior but as a sailor. ”
Source: Gutenberg

W. Y. Sellar,  The Roman Poets of the Augustan Age…

“ The Iliad and the Odyssey are thus seen to be essentially epics of human life; the Aeneid is essentially the epic of national glory. The Iliad indeed is the noblest monument of the greatness, as it is of the genius, of the Greeks. And the Aeneid is much more than a monument of national glory. It is full of pathetic situations and stirring incidents which move our human compassion or kindle our sympathies with heroic action. ”
Source: Gutenberg

Aylmer Maude,  The Life of Tolstoy: First Fifty Years

“ You say the Iliad is the greatest of epic works; and the historic view replies that the Iliad is merely the expression of the historic consciousness of a people at a certain historic moment. On this basis, the historic view does not dispute with you as to whether man needs freedom, or whether there is or is not a God, or whether the Iliad is good or bad: it does nothing to establish the freedom you desire; to persuade or dissuade you of the existence of a God or of the beauty of the Iliad; it merely points out to you the place your inner need or your love of truth or beauty, occupy in history. ”
Source: Gutenberg

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