Gertrude Atherton

Gertrude Atherton

Summary

Portrait of Gertrude Atherton Gertrude Atherton Death and the Woman (1892)

How could he desert her? Her head fell back and moved restlessly against the cushion; moaning with the agony of loss, she recalled him as he had been. Then fear once more took possession of her, and she sat erect, rigid, breathless, awaiting the approach of Death.
Suddenly, far down in the house, on the first floor, her strained hearing took note of a sound--a wary, muffled sound, as if some one were creeping up the stair, fearful of being heard. Slowly! It seemed to count a hundred between the laying down of each foot. She gave a hysterical gasp. Where was the slow music?
Source: Wikisource

Portrait of Gertrude Atherton Gertrude Atherton Death and the Woman (1892)

Death--where was he? What a curious experience: to be sitting alone in a big house--she knew that the cook had stolen out--waiting for Death to come and snatch her husband from her. No; he would not snatch, he would steal upon his prey as noiselessly as the approach of Sin to Innocence--an invisible, unfair, sneaking enemy, with whom no man's strength could grapple. If he would only come like a man, and take his chances like a man! Women had been known to reach the hearts of giants with the dagger's point.
Source: Wikisource

Portrait of Gertrude Atherton Gertrude Atherton Death and the Woman (1892)

She sat there in the hot heavy night, pressing her hand hard against the ebbing heart of the unseen, and awaited Death. Suddenly an odd fancy possessed her. Where was Death? Why was he tarrying? Who was detaining him? From what quarter would he come? He was taking his leisure, drawing near with footsteps as measured as those of men keeping time to a funeral march. By a wayward deflection she thought of the slow music that was always turned on in the theatre when the heroine was about to appear, or something eventful to happen.
Source: Wikisource

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