Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — XV: The Dream of MacIan (1909)

MacIan clambered into the silver boat, and it rose upward to the stars.
To say that it rose to the stars is no mere metaphor, for the sky had cleared to that occasional and astonishing transparency in which one can see plainly both stars and moon.
As the white-robed figure went upward in his white chariot, he said quite quietly to Evan: "There is an answer to all the folly talked about equality. Some stars are big and some small; some stand still and some circle around them as they stand. They can be orderly, but they cannot be equal."
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — XV: The Dream of MacIan (1909)

The sun is in the strict and literal sense invisible; that is to say, that by our bodily eyes it cannot properly be seen. But the moon is a much simpler thing; a naked and nursery sort of thing. It hangs in the sky quite solid and quite silver and quite useless; it is one huge celestial snowball. It was at least some such infantile facts and fancies which led Evan again and again during his dehumanized imprisonment to go out as if to shoot the moon.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — XV: The Dream of MacIan (1909)

When they came closer he saw that they were figures in complete armour of steel or silver, each with a naked sword, point upward; and then he saw one of the swords move. These were not statues but an armed order of chivalry thrown in three circles round the cross. MacIan drew in his breath, as children do at anything they think utterly beautiful. For he could imagine nothing that so echoed his own visions of pontifical or chivalric art as this white dome sitting like a vast silver tiara over London, ringed with a triple crown of swords.
Source: Wikisource

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