Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Rarely does it happen that the man of upright mind and exemplary life is left unprovided by Heaven with valuable friends and an honourable position; rarely does he fail to be held in respect for his excellences while living, or to be venerated and mournfully regretted after his death, by all who have known him. Such was the case with Don Bartolommeo della Gatta, Abbot of San Clemente, in Arezzo, who was in many ways most admirable, and was commendable in all his actions.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

For this work, as Domenico was becoming old, he called in the aid of Capanna, a Sienese painter, and a tolerably good artist, by whom many fronts of buildings, in his native city, were decorated in chiaro-scuro, and many pictures painted. It may indeed be supposed, if we may judge from the little left by this master, that, had his life been of longer continuance, he would have done much honour to his art. [31] Domenico had painted a canopy in oil, for the brotherhood of Arezzo, an exceedingly rich and costly work.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

The Abbot of San Clemente, who was a good and exemplary churchman, left a disciple in painting, Matteo Lappoli of Arezzo, who was an able and experienced painter, as may be seen by the works from his hand which are in the chapel of San Sebastian, in the church of Sant’ Agostino. There is also a San Sebastian in relief by this artist, in a niche of the same chapel, with figures of San Biagio, San Rocco, Sant’ Antonio of Padua, and San Bernardino, all painted by the master in question.
Source: Wikisource

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