Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Beneath these pictures was the city of Arezzo, depicted as it appeared at that time. For the Brotherhood of the Annunciation, Parri painted, in fresco, in a little oratory or “maesta,” [11] without the Duomo, Our Lady receiving the Annunciation from the angel: terrified by his approach, the Virgin turns away from the sacred messenger. In the centre of the ceiling, which is cross-vaulted, the master has painted angels, two in each angle; they hover in the air, and, sounding various instruments, one might almost believe one heard the soft harmony of the music.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

It is true that those of Arezzo are not called “degli Alberti,” but “da Catenaia,” and those of Florence not “da Catenaia,” but “degli Alberti.” I remember also to have heard and read that the abbey of the Sasso, in the mountains of the Catenaia, afterwards demolished and rebuilt lower down towards the Arno, was built by those same Alberti for the confraternity of the Camaldoline monks: this edifice is now in the possession of the monastery of the Angeli in Florence, who acknowledge it to be derived from that family, which is among the most noble in Florence.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Parri Spinelli was a zealous student of art, and drew admirably well, as many things that I have seen by his hand sufficiently prove, more especially a series of stories representing scenes from the life of San Donato, which Parri had drawn for one of his sisters, who was an excellent embroideress. This work is believed to have been intended for the decorations which it is supposed were to be embroidered by her for the high altar of the episcopal church. There are also some drawings in pen and ink by this artist among the collection in our book, which are very well done.
Source: Wikisource

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