Edmondo De Amicis, Spain, v. 2 (of 2)
“ The high altar, if one wished to examine it minutely, would require as much time as the interior of a church: it is itself a church—a miracle of little columns, statuettes, traceries, and ornaments of endless variety, creeping along the iron frames, rising above the architraves, winding about the niches, supporting one another, climbing and disappearing, presenting on every side a thousand outlines, groups, combinations, effects in gilding and color, every sort of grace that art can devise—giving to the whole an effect of magnificence, dignity, and beauty. ”
