John Cuming Walters

Summary

John Cuming Walters The Lost Land of King Arthur

But the city of the Hero-King is a city seen through a veil. The glittering spires show through the mists of time; in a half-shadow we discern the lofty turrets, and mark the lanceolate windows with their shining diamond-panes; a dreamy brightness reveals the gilded roofs and the “magic casements” where Guinevere and her maidens stood and watched the tourneying knights, and glanced their loves and hopes upon the combatants. The name of Arthur conjures up the scene, and fancy releases the city from its spell of slumber and ruin and fashions it again in splendour.
Source: Gutenberg

John Cuming Walters The Lost Land of King Arthur

The last of the Cornish wreckers, for whom, when he lay dying, a ship with red sails came in a tremendous sea and bore him shrieking away, looms as an apparition on the darkest nights, and the cries of tormented spirits mingle with the blast. Merlin, with flowing beard, is said to pace the shore, and Arthur and his knights to revisit the scenes of their exploits. The spirit of the king hovers about sea and land in the form of the almost sacred chough, reverenced and preserved by the inhabitants that they may not unwittingly injure their hero.
Source: Gutenberg

John Cuming Walters The Lost Land of King Arthur

Slowly and yet perceptibly the light dies away and leaves the heaving sea mystically dusk and the world full of shadows. Darkness looms over Tintagel. The overhanging crags look as if they might crack, break off, and thunder down into the open-mouthed sea below. The black chough wheels about the ruins—the spirit of Arthur, say the people, revisiting the scene of his glory. Arcturus, the star of Arthur, glistens in the blue sky right over the castle height, and Arthur’s Harp shapes itself more dimly further east—for the constellations themselves were named after the puissant king.
Source: Gutenberg

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