Dawson Turner

Biographical details

Dawson Turner,  Account of a Tour in Normandy, Volume 1

“ The triple tiers of windows seem to have absorbed the solid wall-work of the building. Balustrades of varied quatrefoils run round the aisles and body; and the centre-tower, which is wholly composed of open arches and tracery, terminates, like the south-tower of the cathedral, with an octangular crown of fleurs-de-lys. The armorial symbol of France, which in itself is a form of great beauty, was often introduced by the French architects of the middle ages, amongst the ornaments of their edifices: it pleases the eye by its grace, and satisfies the mind by its appropriate and natural locality. ”
Source: Gutenberg

Dawson Turner,  Account of a Tour in Normandy, Volume 2

“ The church at Creully is one of the most curious we have seen. The nave, side-aisles, and choir, are all purely Norman, except at the extremities. The piers are very massy; the arches wide and low; the capitals covered with rude, but most remarkable sculpture, which is varied on every pillar. Round the arches of the nave runs a band of the chevron ornament; and over them is a row of lancet windows, devoid of ornament, and sunk in a wall of extraordinary thickness. Externally, all is modernized. ”
Source: Gutenberg

Dawson Turner,  Account of a Tour in Normandy, Volume 1

“ On the north side of the chapel is entombed the Duke of Brezé, once Grand Seneschal of Normandy; his tomb is chaste and simple, forming a pleasing contrast to the elaborate memorial of the cardinals. The statue of the seneschal himself, represented stretched as a corpse, upon a black marble sarcophagus, is admirable for its execution. The rigid expression of death is visible, not only in the countenance, but extends through every limb. Diana of Poitiers, a beauty who enjoys more celebrity than good fame, erected the monument ”
Source: Gutenberg

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