Edmondo De Amicis

Summary

Edmondo De Amicis Spain, v. 2 (of 2)

It is for this very reason that Seville is dearer to me than all the other cities of Spain; I love it as I might love a beautiful unknown woman who, crossing a mysterious wood, might look my way and throw me a flower. How often in the theatre or at the café, when a friend shakes me and asks, "What are you thinking about?" I am obliged to leave the little room of Maria de Padilla to return to him, or a boat that is gliding along in the shade of the Christina plane trees, or Figaro's shop, or the vestibule of a patio full of flowers, fountains, and lights.
Source: Gutenberg

Edmondo De Amicis Spain, v. 2 (of 2)

Their great black eyes meet your own with a smile, as if they would say, "Don't you remember me?" They cast daring glances at the ladies who put their heads out of the windows, run to fetch a match before you have so much as asked for it, sometimes answer your questions in rhyme, and are even capable of laughing to show their white teeth.
At Rinconado the campanile of the cathedral of Seville comes into view in a line with the railroad, and to the right, beyond the Guadalquivir, one sees the beautiful low hills, covered with olive-groves, at the foot of which lie the ruins of Italica.
Source: Gutenberg

Edmondo De Amicis Spain, v. 2 (of 2)

Granada is not connected by railway with any important city: she lives alone, surrounded by her gardens, enclosed by her mountains, happy with the fruits which Nature produces under her hand, gently lulling herself to sleep in the vanity of her beauty and the pride of her history—idle, drowsy, and fanciful, content to answer with a yawn to any one who reproves her for her condition: "I gave Spain the painter Alonzo Cano, the poet Louis de Leon, the historian Fernando de Castillo, the sacred orator Luis di Grenada, and the minister Martinez de la Rosas.
Source: Gutenberg

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