Nathaniel Armstrong Wells

Summary

Nathaniel Armstrong Wells The Picturesque Antiquities of Spain

The most amusing sight in Gibraltar is the principal street, filled, as it is, with an infinitely varied population. Here you see, crowded together as in a fair, and distinguished by their various costumes,—the representatives of Europe, Asia, and Africa,—Arabs, Moors, Italians, Turks, Greeks, Russians, English, and Spaniards, Jews, and, occasionally, a holy friar conversing with some Don Basilio, appearing, in his long cylindrical hat, as if blessed with a skull sufficiently hard to have entered the side of a tin chimney-top, precipitated upon it by a gust of wind.
Source: Gutenberg

Nathaniel Armstrong Wells The Picturesque Antiquities of Spain

Could the cathedral of Seville see that of Burgos, it would probably pronounce a similar judgment on its smaller rival.
The profusion of ornament, the perfection of symmetry, the completeness of finish, produce an instantaneous impression that nothing is wanting in this charming edifice; but any one who should happen to have previously seen that of Seville cannot, after the first moments of enthusiasm, escape the comparison which forces itself on him, and which is not in favour of this cathedral. It is elegant, but deficient in grandeur; beautiful, but wanting in majesty.
Source: Gutenberg

Nathaniel Armstrong Wells The Picturesque Antiquities of Spain

Should you chance to stumble on the Plaza Mayor,—called Plaza de San Francisco,—you are at once rewarded by the view of the ayuntamiento, one of the most elegant edifices in Spain: otherwise the extreme simplicity of the bare, irregular, but monotonous white houses, will create disappointment—you will stare about in the vain search of the magnificence, so much extolled, of this semi-Moorish capital, and discover, that nothing can be plainer, more simple, more ugly, than the exterior of the Seville habitations.
Source: Gutenberg

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