Glenway Wescott,
The Dial
(1923)
“ In the dialogue, work of genius, the obliqueness of talk, its wide palette of meanings, are used with brevity and elegance; the violent atmospheres, the muscular haste, the sensual tints, the symbols and diagrams are handled with the balance of Congreve. The rhythm is subtle, short fluent jets retarded by spondaic forms. Never unnoticeable, it keeps the intellect nervous and watchful, before which the illustrative violence, the extremes of tenderness and sweetness, bud and increase and burst, incredibly primitive and bright. ”
