Summary

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary (Marx-Aveling translation… (1886)

The other wedding guests talked of their business or played tricks behind each other's backs, egging one another on in advance to be jolly. Those who listened could always catch the squeaking of the fiddler, who went on playing across the fields. When he saw that the rest were far behind he stopped to take breath, slowly rosined his bow, so that the strings should sound more shrilly, then set off again, by turns lowering and raising his neck, the better to mark time for himself. The noise of the instrument drove away the little birds from afar.
The table was laid under the cart-shed.
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary (Marx-Aveling translation… (1886)

At night when they left, the horses, stuffed up to the nostrils with oats, could hardly be got into the shafts; they kicked, reared, the harness broke, their masters laughed or swore; and all night in the light of the moon along country roads there were runaway carts at full gallop plunging into the ditches, jumping over yard after yard of stones, clambering up the hills, with women leaning out from the tilt to catch hold of the reins.
Source: Wikisource

Portrait of Gustave Flaubert Gustave Flaubert Madame Bovary (Marx-Aveling translation… (1886)

But Charles concealed nothing. He called her "my wife", tutoyed [2] her, asked for her of everyone, looked for her everywhere, and often he dragged her into the yards, where he could be seen from far between the trees, putting his arm around her waist, and walking half-bending over her, ruffling the chemisette of her bodice with his head.
Two days after the wedding the married pair left. Charles, on account of his patients, could not be away longer. Old Rouault had them driven back in his cart, and himself accompanied them as far as Vassonville.
Source: Wikisource

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